Skip to main content

GIVE THEM AN INCH, THEY WANT A MILE: MEDIA DISCOVERY INTO THE CIVIL RIGHTS MOVEMENT

GIVE THEM AN INCH, THEY WANT A MILE: MEDIA DISCOVERY INTO THE CIVIL RIGHTS MOVEMENT 

By Faith Blakey

Through the United States’ torrid history with race and the destruction of the Black body, there has been a constant frame in newsprint and the media. A succinct analyzation of the Civil Rights Movement and the involvement of these forms of comprehensive communication, have portrayed Black Activism negatively. 

From slavery, Emancipation, and Jim Crow to the Civil Rights Movement; there has been no shortage of these adverse illustrations and representations.  Newsprint has produced and promoted either racist or biased rhetoric throughout each of these “infamous” historical periods. Specifically, the Civil Rights Movement of the 1960’s was with a sure purpose that was accomplished through a series of national marches and silenced leaders such as Martin Luther King Jr., Malcolm X, Whitney Young, Gloria Richardson, and Roy Wilkins (O’Rourke, 2012).

 Despite the meticulous efforts and the dedication of its leaders, there was a consistent methodology to promote and transform the motives of the movement, and the black bodies that participated. Much of these representations are present in newsprint images with demonizing captions and rhetoric filled with attitudes of “victimage” (O’Rourke, 2012).  Print news coverage of the movement perceived these efforts of Black activism to be a major a push back to the nation and more specifically, the South. One of the most popular examples is the claim that the South was a “victim of slander, discrimination, and violence” (O’Rourke, 2012). This shift in discourse caused for a frame of Black efforts to be a “violent attack” and “threat” to the safety to the majority. 

In addition to this, the images that were publicized and released to the public produced a negative perception of Black activism. Like the biased rhetoric, most the images were anti-black, amidst the efforts for the presence of pro-blackness (The United States Library of Congress, 2010).  An exploration of these images, do not present the disparity of Blacks, but front page and cover newsprint are clear images of “white tears” and white fragility. A compilation of these images from The United States Library of Congress, show white faces that have been targeted or “threatened” by Black protests (O’ Rourke, 2012). The characterization of the movement, was only powerful for the black community and was rejected as only a “problem” or “nuisance” that The United States government was obligated to fix (O’Rourke, 2012). 

Widespread media coverage allowed for this resentment to be solidified, written and projected to the American public. During the 1960’s newsprint has proved itself to be effective in fostering the anti-blackness that occurred during the Civil Rights Movement.  The attitudes of disregard towards Black activism did not begin with this movement. However, it was a cornerstone in history whose success was not anticipated because of the images and rhetoric of newsprint. From this, issues of blackness (especially Black activism) are in retrograde, with consistent attempts to move forward and simultaneously pulled back by the unfavorable frame created by popular media sources. 







                                                            References 

O’ Rourke, Patrick Sean (2012). Circulation and Noncirculation of Photographic Texts in the Civil Rights Movement: A Case Study of the Rhetoric of Control. Rhetoric and Public Affairs, 15, 685-694.

The United States Library of Congress (2010). The Civil Rights Act of 1964:A Long Struggle for Freedom. Public Programs. Washington, DC: Author.
Retrieved from https://www.loc.gov/exhibits/civil-rights-act/public-programs.html

Word Count: 505
                                                                                                                

Comments

  1. Good start, Faith. Your post takes up the role news discourse (text and images) plays in undermining the legitimacy of Black activism.

    Although your essay puts this struggle in historical context, there is clear connection and relevance to contemporary activism in America today. Perhaps a brief mention of this connection would make this an even more compelling read.

    Likewise, a clear discussion at the outset of the importance of "framing" in news and public discourse would help your readers make sense of the issues you've raised here. Nonetheless, as the opening post for a theme week on media and African-American activism, this makes a valuable contribution.

    Moving forward, I urge you to work on the following. First, in terms of our "house style," there's no need to re-insert your headline in the body of your text. You've already got the headline in CAPS at the top.

    More substantively, there are a few errors in punctuation and word choice you should work on. For instance, use the word "analysis" not "analyzation" as you have here. Then there's the improper use of a semi-colon in the first sentence of the second paragraph.

    Likewise, some of your sentence construction is awkward. See, for example, the sentence that begins, "Specifically, the Civil Rights movement ....

    Same with the sentence that starts: "An exploration ....

    More substantively, you might want to explain the word "victimage." That phrase has very discrete meaning, so you want to tell your readers how you are using it. Lest we miss out on this important insight.

    Finally, check your use of APA reference style. You haven't quite mastered it yet.

    Again, good start. Keep it coming!

    26/30 pts.

    ReplyDelete

Post a Comment

Popular posts from this blog

ARE WE THE WEIRD ONES?

 By: Destiney Davis Eighteen-year-old Sam Gardner is your typical high school boy who loves his family, sports etc. except there’s one thing that makes him slightly different. Sam is on the autism spectrum (ASD). Atypical , it is a coming of age Netflix series that takes its viewers on a wild ride with Sam Gardner and his daily struggles with being a high school student with autism. The first season begins with what any teenage boy enjoys, girls. Sam Gardner begins asking advice from father about girls and dating and is welcomed with loads of advice from his father, Doug. But from his mother, Sam receives almost complete resentment and negativity when bringing upon the idea of dating. But why? Why is such a normal teenage action being turned down simply because of a mental disability? According to the National Institute of Health, about 1 in 68 children are diagnosed with ASD. Disabilities are quite difficult to discuss whether it be in our own communities or the media...

ABUSE OF LARRY NASSAR: UNRAVELED

By Daniel Scotto Growing up, it is instilled in us to dream big and put every ounce of concentration and effort into achieving those dreams, whatever they may be. Only a select few Americans have the coveted opportunity to represent their country on the Olympic stage. The amount of talent and dedication it takes to be on that high caliber of a team is nearly impossible to accomplish. With that being said, when these sorts of accolades are taken away from someone or tarnished, there is no possible way to make up for this loss. This is what happened to around 350 women that fell victim to Larry Nassar. Larry Nassar joined the USA Olympic gymnastic program as an athletic trainer in 1986. The women on the multiple gymnastic teams during his tenure could have never expected the horrifying events that were to come. Joining the esteemed ranks of being an Olympic athlete puts you on a pedestal. As an Olympic athlete, you expect to be treated as such. Nassar u...

ARTISTRY WITHIN ACTIVISM

By: Sarah Selzer When armchair theorizing political activism, pop-culture has been noted as the driving force of political change. However, this notion truly comes to life when we look at the history of how hip-hop could be considered the voice of our generation, specifically containing the critical area for the emergence of hip-hop feminism. Concerning political movements that stemming from the base of hip-hop music influence, female artists not only used their platform as a form of sexual and artistic expression but to highlight problems within Grassroots- Black Community politics (Collins, 2014). Primarily Black and Latino youth were denied access to basic education, decent housing, recreational activities, and music lessons stemming from the early to mid-1900’s (Collins, 2014). Instead of feeling defeated, young-female black youths took the time to create new art forms of music that challenged the stereotypes of being born into poverty which ultimately gave them opportunit...