Skip to main content
NOT AS PRIVATE AS YOU THINK 
By Emmanuel Koutsouras 
Say you are browsing the internet, maybe reading a movie review, looking through amazon to find a video game you want. Then you decide to go on Instagram sometime later and see an ad for something closely related to that movie review or video game. Social media is arguably the largest collective platform of information that the world has ever seen. There probably is not a single person who is completely off the grid. Social media brings people, ideas, thoughts, facts, and opinions together, in a way that nothing else can do. People put so much of their personal information on the various social media platforms, assuming safety as a given. As is the case with most things in life, nothing is a guarantee, though. The power of surveillance, which when you think about it is truly disturbing is that people whose personal data are collected or observed may not know when or if they are being watched” (Humphreys, 2008).  
 
The process of surveillance is typically carried out across multiple systems, bureaucracies, and social connections all converging into “surveillant assemblages” and embedded within everyday life (Lyon, Haggerty, & Ball, 2012). Social media sites are increasingly resembling such assemblages, as they draw in data on user activity elsewhere on the internet via “cookies” and other tracking mechanisms, this how you see ads for things on social media you were looking up on a different website (like a video game on amazon), and from other sources of information on users, such as retailer loyalty cards, customer surveys, and smartphone location traces. Surveillance is an ancient social process, such as guards for buildings during ancient times, but in the late twentieth century, surveillance became a central organizing social practice, affecting power dynamics, institutional practice, and interpersonal relations. Alongside changing technology, this transformation was driven by factors including increasing managerialism, greater public perception of risk, and political expediency. 
Some factors need to be taken in to account when considering an instance of social media surveillance. Who is carrying it out? A business dealing with customers, or profiling and marketing to potential customers? A community of individuals? What are the power relations between the surveillers and the surveilled? What kinds of data are being collected, and by what means? These might include narrative reports, audiovisual recordings, or activity traces, relating to public, personal, private, sensitive, or intimate situations. In this day in age, all of this now takes place via social media. The rapid development of computing technologies, and the social, political, and economic practices that have shaped and been shaped by this development, is one of the most significant enablers of social media surveillance. Regularly, whole sites or individual profiles are hacked, resulting in private information being released to the public. Recall the mass hacking of iCloud in 2015, in which a number of celebrities had their personal pictures stolen and uploaded to public sites. However, it is not just hackers that can get access to private information. Police investigators will use the law to allow them to collect information from a site, which would otherwise have been considered private information. This is information for everyone. College students need to pay extra attention to this. Your career might be saved.  


References 
Ball, K., Haggerty, K. D., & Lyon, D. (27 mar 2012). Surveillance as biopower. Routledge Handbook of Surveillance Studies. 
Humphreys, L. (2008). Who's Watching Whom? A Field study of Interactive Technology and Surveillance. Conference Papers -- International Communication Association, 1-26. Retrieved from Communication and Mass Media Complete database. 

Word count: 536 


Comments

  1. Emmanuel,

    This is a fine topic for your post. It clearly fits with your group's "theme week" and addresses the rise of surveillance regimes within and through digital technology.

    So far, so good.

    However, there are several glaring problems with your post. First, you haven't used our "house style" for these essays – something we've talked about often and at length in class and via email.

    Second, your use of APA reference style is likewise prone to error. Seems you haven't consulted the reference resources we've discussed throughout the semester.

    Third, and most critically, there are several passages that are clearly NOT your own words. Rather, they are taken straight from published work without attribution. This is UNACCEPTABLE and could lead to disciplinary action.

    I suggest you review the university's policy on such matters. After all, if you are violating procedure for this assignment, you may be doing in your other course work. And that could lead to some real problems.

    In sum, you haven't followed directions very closely, despite repeated guidance to do so. What's more, you are flirting with issues of academic integrity that could have serious consequences.

    15/30 pts.

    ReplyDelete

Post a Comment

Popular posts from this blog

LACK OF ACCESS TO MENTAL HEALTH TREATMENT SYSTEMS WITHIN THE BLACK COMMUNITY

By Cailey Griffin The importance of mental health is not widely discussed in modern society. Even less widely discussed is the unique manner in which different ethnicities approach the topics of both mental health and mental health treatment. Often times for Black Americans, there are several obstacles when it comes to accessing mental health treatment. The HBO show Insecure explores the obstacles faced by many Black Americans when seeking mental health treatment options. In the article “Mental Health Care Access and Treatment Utilization in African American Communities” written by Babe Kawaii-Bogue, Norissa J. Williams, and Kameron Macnear, the obstacles facing Black Americans when seeking mental health treatment options; as well as, the relationship between Black Americans and mental health in general, is further explored. The first obstacle addressed in the article, and what I’d say is usually the most prevalent obstacle, is the sense of stigma or shame that Black Americans feel whe...

ATHLETE OR ACTIVIST? THE ANSWER IS BOTH!

By Ryan Smith In today’s world, we are accustomed to seeing and hearing about protests constantly. It seems that everyone has an opinion on every social issue, and in a culture that holds athletes in such high respect, athletes are urged to voice their positions. Although LeBron James “is widely recognized as one of the greatest basketball players of all time, his brand has expanded far outside of that” (Coombs, 430). He has signed a lifetime deal with Nike worth over $1 billion, starred in Hollywood films such as Trainwreck (2015), and he even produces television through his own production company (Coombs, 430). With his hand in almost every facet of popular culture, LeBron could be considered the most prominent celebrity on the planet today. LeBron’s enormous presence both on and off the basketball court positions him incredibly well to speak out on social issues that he cares about. LeBron was once quoted saying, “For me, I’ve never shied away from something that I feel for...

SHAMELESS: MORE THAN ENTERTAINMENT

By Natalie Raskas Social class identification has become increasingly vague in recent years. Most Americans consider themselves middle class whether they technically qualify or not (Martin, 2018).  However, the lower class, making up around 29% of the population, is still the socio-economic minority in America (Geewax, 2015).  One could argue that most middle- and upper-class Americans have no clue about the common struggles and daily challenges members of the lower-class face. Popular culture, specifically television is one of the primary ways people are exposed to different classes, other than their own.  Sadly, such entertainment can propagate broad misconceptions about the lower class, as is evident in the wildly popular  Shameless  television series. Shameless , developed by John Wells is an American TV show based on an original produced in the U.K.  The show depicts a family, “The Gallaghers,” with six children ran...