Skip to main content

The Media Proves It



By DaBreonna Doss

When doing scholarly research, scholars have this term called “coding”. Coding refers to the ways in which language is used, but underneath this language coded images pop up in our heads about what something is or looks like. For example, when you think of the words like American, nail technician, ghetto, etc you already have a preconceived notion of what these terms mean. Now, what if we take this coded language and apply it to the word “prisoner”, or more specifically “mentally ill prisoner”?

Scholars Schilders and Ogloff (2014) in “Review a point-of-reception mental health screening outcomes in an Australian Prison” states that 32-42 percent of the prisoners in the criminal justice system are mentally ill. This is close to half the prison population, and we must look into how these prisoners’ lives play out within the system.

The question I would like to explore is, within the criminal justice system, are government agencies providing the needed care that mentally ill prisoners require and are their current approaches effective? We will be using Schilders and Ogloff text, as well as the Netflix series Lockdown which dives deep into a prisoner’s life and experience. One commonality between the two is the implications set in place to assess prisoners on their entry to a new prison or reception as scholars refer. “... some prison officials merely asking prisoners on reception a few questions about their mental health history, with other prisons utilising more comprehensive screening...” (Schilders and Ogloff, 2014, p.481). In Lockdown, they talk about the fact that many procedures as far as mentally examining new entries, get prolonged because there are so many entries within a day. Another commonality is the ways in which they handle mentally ill prisoners. In season 3, episode 6, Lockdown talks about a woman with mental bipolar disorder. In response to her disorder, she only moves cells if necessary and sometimes placed in confinement for close watch. Schilder and Ogloff (2014) point out, “Eighty-five (23%) of the severe/acute group, 78 (19%) of the suspected/stable group and 530 (62%) of those with a history of mental illness were not recorded as being referred for an additional assessment...” (p.486). To define some terminology, “severe/acute” groups refer to mentally ill prisoners that are on close rotational watch for suicide and self-harm. “Suspected/stable” groups refer to those that have knowledgeable mental health issues but is not as bad, and then there are those who simply have a history of it. There are limited resources and no room for prisoners the require mental illness assistance. “Unsurprisingly, mentally ill prisoners required substantially more services than their non-mentally ill counterparts, which suggested that standard services offered by prisons may be less suitable for mentally ill prisoners” (Schilder and Ogloff, 2014, p.488).

I suggest that rather than using government finances to set in place disciplinary confinement cells, use it to create spaces that assist mental ill prisoners and problems will begin to find solutions. Schilder and Ogloff (2014) agrees with this solution and summarizes that by giving the expenses: prisoners have less chance of relapse, they can adjust into the prison society and outside the society, have necessary and constant treatment, room will come available, and prison staff will have assistance in situations outside of their training and a much safer environment (p.490-491). All-in-all, everyone wins!




Word Count: 559

Keywords: Mental health, prisoner, lockdown, Schilder and Ogloff, room




References


Myers, W. D., & Jackson, J. D. (2010). Lockdown. Recorded Books.


Schilders, M. R., & Ogloff, J. R. (2014). Review of point-of-reception mental health

          screening outcomes in an Australian prison. The Journal of Forensic Psychiatry &


          Psychology, 25(4), 480-494.

Comments

Popular posts from this blog

ATHLETE OR ACTIVIST? THE ANSWER IS BOTH!

By Ryan Smith In today’s world, we are accustomed to seeing and hearing about protests constantly. It seems that everyone has an opinion on every social issue, and in a culture that holds athletes in such high respect, athletes are urged to voice their positions. Although LeBron James “is widely recognized as one of the greatest basketball players of all time, his brand has expanded far outside of that” (Coombs, 430). He has signed a lifetime deal with Nike worth over $1 billion, starred in Hollywood films such as Trainwreck (2015), and he even produces television through his own production company (Coombs, 430). With his hand in almost every facet of popular culture, LeBron could be considered the most prominent celebrity on the planet today. LeBron’s enormous presence both on and off the basketball court positions him incredibly well to speak out on social issues that he cares about. LeBron was once quoted saying, “For me, I’ve never shied away from something that I feel for...

CONSUMER SURVEILLANCE IN THE 21st CENTURY

By Jonathan Bonilla Let's say you are surfing through the Internet or diving into random YouTube videos, and you see ads either playing a small promotional video for a service or a vivid photo of some random product. Now a days, the ads you see popping up on your laptop or social media page is not by luck or random chance; it is all by design. Marketers are changing up the game in which they showcase and sell to consumers in many digital spaces. They want to get smarter, faster and better in understanding what consumers like you and me desire. The world humans currently are moving into is heavily driven by data. Marketers are now taking an exploiting view, “instead of merely seeing data gathered about consumers as a guide to their product preferences and interests, such data is being used to refine mechanisms of shaping decisions, behaviors, and habits” (Nadler & McGuigan, 2018). There has been a major boom of consumer data by which marketers and advertisers need resources t...

Bisexuality in Popular Television

By Sydney Secuskie Popular culture plays a strong role in the way teens develop and respond to their sexuality. It helps young adults develop a way to interact with their counterparts and helps them get a sense of sexuality and sexual experiences that they may experience in their young lives. However, what happens to this development when the sexuality an individual identifies with is rarely portrayed in popular films and television series? Heterosexuality is normalized within numerous popular television series, making young teens of the LGBTQ+ community struggle to find a character to resonate with. Callie Torres, a bisexual character in the TV hit show Grey’s Anatomy , exemplifies the struggles that many individuals in the LGBTQ+ community face when trying to identify their sexuality. Callie begins the first season as a straight, married female; however, she eventually falls in love with a female doctor after her divorce with her husband. Callie constantly denied her bisexual...